Guillermo del Toro directs PATRÓN’s “The Perfect Pour,” a cinematic short film about craft tequila and the refusal to cut corners. Watch it now.
Picture a film set inside a Mexican hacienda. Skeleton crew members move in choreographed precision. Lights adjust. A camera tilts. And at the center of all of it, a single pour of tequila falls into a glass in real time. What sounds like a strange fever dream is actually one of the most intentional pieces of brand filmmaking produced this year.
PATRÓN Tequila tapped Guillermo del Toro, the Oscar-winning director behind Pan’s Labyrinth and The Shape of Water, to direct a short film built around one act: pouring a glass of super-premium tequila.

The result is “The Perfect Pour,” a cinematic campaign that asks a serious question and answers it without apology.
When Overkill Is the Point
Hiring a two-time Academy Award winner to shoot a pour shot is, by most advertising logic, completely unnecessary. That’s the point.
“Perfection isn’t rushed, it’s built frame by frame, pour by pour,”
Guillermo del Toro
“I believe in artistry over industry, soul over process, and making things without compromise. That’s what drew me to this collaboration with PATRÓN. This film is about honoring craft, intention, and the beauty that comes from doing things the right way.”
The parallel is deliberate and it holds up. PATRÓN is made from exactly three ingredients: 100% Weber Blue Agave, water, and yeast. Every bottle passes through more than 60 pairs of skilled hands. The distillation process runs on traditional, time-honored methods inside Hacienda PATRÓN in the Highlands of Jalisco, Mexico, the same place it has always been made, in the same small batches. The brand has never moved production to scale. It has never softened that commitment for margin.
“At PATRÓN, we’ve always believed that how you make something matters,” said Roberto Ramirez-Laverde, Global Senior Vice President, PATRÓN Tequila. “From day one, we’ve never compromised on how we craft our tequila — using only three natural ingredients (agave, water, time) and traditional, time-honored methods to give our tequila the patience and care it deserves. Guillermo shares that same dedication to greatness and refusal to compromise.
The Perfect Pour delivers a message that hiring an award-winning filmmaker to direct a simple pour shot may seem excessive — but those are the same lengths we go to craft every bottle at PATRÓN. We don’t compromise on our process.”
So yes, this is an ad about a drink. It is also, somehow, a 100% accurate description of how both the film and the tequila get made.
A Mexican Vision, Front to Back
What makes the film land beyond its concept is the execution. Del Toro brought his full visual language to the project, colorful, deeply Mexican, and technically exacting.
Filmed at Hacienda PATRÓN in Jalisco, the imagery breathes with the place: agave fields, hand-blown glass, the amber weight of tequila catching light at the exact moment of the pour. Del Toro used motion capture performers to build a stylized skeleton crew, a visual homage to the many hands behind every bottle, executed with the same detail he brings to his feature films.
The crew behind the camera matched that standard. Del Toro assembled a Mexican-led team that included cinematographer Guillermo Navarro, animator Karla Castañeda, conceptual designer Guy Davis, visual effects supervisor Dennis Berardi, VFX producer Nathan Robitaille, and movement director Terry Notary. Created in partnership with BBH USA, this was not a marketing team borrowing a famous name. It was a working film production, assembled to del Toro’s standard.
“Guillermo brought that vision to life by directing ‘The Perfect Pour’ using rich Mexican imagery and motion capture performers to create skeletons that bring his world to life,” said Laila Mignoni, VP, Global Communications at PATRÓN Tequila. “What appears to be a simple pour becomes an incredibly detailed, rich world that is crafted with extraordinary precision and care, just like our process at PATRÓN.”
Where to Watch It
U.S. audiences got the first look on March 18 during the Golden State Warriors vs. Boston Celtics NBA regular season game on ESPN, a reach placement that put the film in front of a broad audience on one of the biggest nights in the regular season calendar.
The tequila itself is the kind that deserves this kind of attention: Weber Blue Agave harvested by hand in the Jalisco Highlands, slowly processed with traditional tahona stone and roller mill methods, then bottled, labeled, and numbered individually by hand. The result in the glass is clean, slightly sweet from the agave, with a soft floral note and a finish that doesn’t burn so much as it settles.
Following the premiere, the campaign rolls out across television, online video, digital, and social, including behind-the-scenes content showing del Toro’s creative process on set. Additional international markets will see the campaign later this year.
For those who follow the Consejo Regulador del Tequila, the governing body that sets the standards for authentic Mexican tequila production, PATRÓN’s sourcing and production practices represent a textbook case of what the denomination was designed to protect.
It also represents what happens when a tequila brand and a filmmaker both refuse to let anyone tell them they are overthinking it.
Craft as a Business Argument
There is a real strategic case being made here, not just an aesthetic one. The super-premium tequila category has grown significantly over the past decade, drawing new entrants from celebrity brands to private-label plays with very different philosophies about what the category means.
PATRÓN’s answer to that noise is “The Perfect Pour”: a short film that opens on a quiet hacienda, pulls back to reveal an entire production crew obsessing over one moment, and invites the audience to decide whether that level of care is excessive or simply what quality looks like when it is not faked.
The campaign is not arguing for attention. It is demonstrating what attention looks like. That is a different thing entirely.
FAQ: PATRÓN’s “The Perfect Pour”
Who directed PATRÓN’s “The Perfect Pour” and why? The short film was directed by Guillermo del Toro, the Mexican filmmaker behind Pan’s Labyrinth, The Shape of Water, and Pinocchio, among others. PATRÓN chose del Toro because his commitment to uncompromising craft in filmmaking mirrors the brand’s own production philosophy: never cut corners, never scale at the expense of quality, and treat every detail as if it matters, because it does.
What is PATRÓN Tequila made from? PATRÓN is made from three ingredients: 100% Weber Blue Agave, water, and yeast. It is produced exclusively at Hacienda PATRÓN in the Highlands of Jalisco, Mexico, using traditional distillation methods and small-batch production. Each bottle is individually labeled, numbered, and inspected by hand, a process that involves more than 60 skilled workers per bottle.
Where can I watch “The Perfect Pour” by Guillermo del Toro? The film premiered on ESPN on March 18 during the Golden State Warriors vs. Boston Celtics NBA game. It is now available across PATRÓN’s digital and social channels, along with exclusive behind-the-scenes content from the production. International markets will receive the campaign later in 2025.
One Pour. No Compromises.
“The Perfect Pour” is not a product demo. It is a statement of intent from a brand that has built its reputation on refusing to do things the easy way, delivered by a filmmaker who has done the same. If you have been looking for a reason to revisit what super-premium tequila actually means, this is a good place to start.
Watch the film at patrontequila.com, and please enjoy it responsibly.

















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Nothing says ‘we’re just like you’ like flying an Oscar-winning director to a Jalisco hacienda to film a pour shot. Extremely relatable content.
They brought in the Frankenstein crew for a 30-second spot. I won’t pretend I’m not calculating the day rate on this in my head.
They hired 60 hands to make a bottle and an Oscar-winning director to pour it. I can’t even get a bartender to make eye contact.
Ha! Frame by frame. Pour by pour. Thirty seconds of advertising elevated to a spiritual journey. My tequila sunrise from a gas station has more soul, but go off.
Artistry over industry. Soul over process. Also $15 a shot at the hotel bar. Just vibes.
Del Toro said ‘I cannot sell sodas or yogurt’ and I feel that in my soul. If I have to sell out, at least let it be to something with agave in it.
I attended a tequila masterclass last year and kept thinking this deserves the same reverence as a proper wine education. This is making that case to a mainstream audience
My local bartender also obsesses over the perfect pour. He calls it ‘Tuesday.’ Not an Oscar winner, but honestly very consistent.
Shot on location at the actual hacienda in Jalisco? I want the behind-the-scenes video but also a full itinerary for the food within a 10-mile radius.
Highlands of Jalisco, 100% Weber Blue Agave. Provenance matters. This is the terroir conversation we should be having about spirits, not just wine.
Real ones drink it neat on a large cube and let the agave speak. This ad makes that point better
We talk about terroir in wine constantly. This finally extends that conversation to tequila
Three ingredients. That’s it. Weber Blue Agave, water, yeast. The restraint in that formula is almost monastic. The best dishes are always the simplest ones executed perfectly.
This is what brand storytelling looks like when the brand actually HAS a story.
The comparison I’ve been making for years: great tequila has more in common with great wine than it does with most spirits.
Guillermo Navarro shot this?? THE Guillermo Navarro. I need a minute. The cinematographer of Pan’s Labyrinth filmed a tequila pour commercial
From Pan’s Labyrinth to Frankenstein to a tequila pour with skeletons. His visual DNA is unmistakable in every single frame.
This is what it looks like when a director with an actual point of view makes a commercial instead of a director-for-hire following a brief
They brought in a MOCAP artist from Avatar and Planet of the Apes to animate skeletons for a 30-second tequila spot? This is simultaneously the most and least excessive thing I’ve ever read.
Two days of prep, two days of shoot. That’s it. Del Toro just made a masterclass in efficient production look effortless.